Steve Gunn ∆ Way Out Weather

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As fall looms just around the corner, we’re graced with a new offering from guitar virtuoso Steve Gunn that serves as a most fitting soundtrack for the change in season. After stepping out into the open with last year’s Time Off, Gunn took little time establishing himself as the premiere artist in the John Fahey inspired, post-Jack Rose realm of fingerpicked, raga-meets-American folk (something many of us already knew). With Way Out Weather, he takes an even grander step forward both in terms of arrangement and improvisation, as well as the roster of musicians he has aboard. The result is a more expansive, lush, full-band sound that, quite often, resembles the noodley ambling of the Grateful Dead as guitar lines and various stringed instruments weave through one another in an intertwining web of cosmic folk. Check out the video for the title track below.

Way Out Weather comes out October 7th on Paradise of Bachelors.

Also, for those who missed it, be sure to check out Steve Gunn’s collaborative album with British folk artist Mike Cooper, Cantos de Lisboa.

[youtube http://youtu.be/ckSY12Dmw8Q]

 

Devonian Gardens △ “Solar Shifting” (Video Premiere)

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Calgary psych-rock voyagers Devonian Gardens have released unto the world a new video set to the title track to their debut album, Solar Shifting. Recorded in the secluded forests of Nova Scotia with analog wizard Jay Crocker, the album first came out in digital form last year on Beyond Beyond is Beyond and is now available on compact disc. Watch the cosmically animated video below.

After playing a series of killer shows in The Great North, Devonian Gardens are now embarking on their first tour of the US (dates). This Sunday, they’ll be playing the Beyond Beyond is Beyond Showcase at Mercury Lounge in NYC featuring Steve Gunn, Prince Rupert’s Drops and Worthless with liquid light projections by Drippy Eye. RSVP for that event here.

Purchase Solar Shifting via BBIB.

[youtube http://youtu.be/2s3fh5hdfQk]

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Dog Gone Presents: Best of 2013

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Well folks, here we are again looking back on another year gone by. Fresh out of the frost, here’s the list of albums that received the most play around these parts in 2013. You’ll also find a mix containing some of our favorite songs from 2013 at the bottom.

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The Entrance Band – Face The Sun

Four years on from the release of their previous full-length, LA psych juggernauts The Entrance Band returned with an album built upon the personal struggles and spiritual transformations experienced by all three band members during the extended period of gestation. Balancing both sides of the journey toward the light, Face the Sun finds The Entrance Band in a more transcendent, melodic space while maintaining a hauntingly beautiful darkness in its undercurrent. Songs like “The Crave” and “Year of the Dragon” depict the introspective journey through the tunnel of addiction and sorrow, while “Fine Flow” and “Fire Eyes” channel a more cosmic side with the interplay between guitarist Guy Blakeslee and bassist Paz Lenchantin at near subliminal levels. A journey to the depths of the darkness can be known to strip away the heart and soul of a band, but in the case of Face the Sun it seems as though the members have returned to the surface with a brighter and more inspired outlook than ever before.

(originally published in Relix Magazine)

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White Fence – Cyclops Reap

Once again, in 2013, the ever-prolific Tim Presley released an album loaded with lo fi, garage-rock nuggets that sound like they could have been released over 40 years ago. Recorded during a 4 ½ year span and largely inspired by the loss of his father, Cyclops Reap strips away some of Presley’s trademark punk murk, making way for a more spacious, folk-inspired sound. Surely one of the finest to come out of the White Fence cannon.

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Foxygen – We Are the 21st Century Ambassadors of Peace & Magic

These two young California sons managed to meld the ideas they’d been crafting while separately away at college into a beautiful piece of ‘60s inspired paisley psych-pop. As history often shows, combine two unique songwriters, especially one who possesses a highly volatile personality, and magic is bound to happen. However, tragedy and conflict are often bound to follow.

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Endless Boogie – Long Island

There aren’t too many bands that still embody the old New York spirit the way Endless Boogie has for the past decade. Long Island, the band’s third proper release for No Quarter, unapologetically churns and tunnels its way through the group’s signature, riff-caked groove, tugging at their namesake for 80 minutes of stoned-out bliss. You either love ‘em or you don’t. They certainly don’t give a shit.

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Steve Gunn – Time Off

For nearly 15 years, New York-based guitarist and songwriter Steve Gunn has existed on the periphery of the contemporary avant-folk scene, acting as a solo artist and touring member in Kurt Vile’s Violators, as well as one-half of the Gunn-Truscinki Duo. But on Time Off, Gunn’s immense talent comes into full view as he leads a trio of old pals through a series of six extended folk journeys that touch on everything from Pentangle to Fahey to Indian Ragas to the Grateful Dead. Gunn’s soft, slightly haggard voice is showcased on songs like the heady acoustic jam “Lurker,” while the guitar interplay on “New Decline” would have Bert Jansch and John Renbourne singing praises. The title, Time Off, perhaps is not so much a suggestion that these songs were recorded during a particular downtime, but rather a nod to the music’s timelessness—where time can simply be switched off leaving music as the only dimension in which events may take place.

(originally published in Relix Magazine)

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Wooden Shjips – Back To Land

For Back to Land, the new album by West Coast Psych amblers Wooden Shjips, leadmen Ripley Johnson and Omar Ahsanuddin packed up and moved to Oregon to record their first set of tracks outside of the Bay Area. With the lush climate and natural surroundings inspiring their musical direction, the pair tapped into a more grounded, organic sound without diverting the course of their modernist space-psych core. Throughout each the album’s eight tracks, a distinctly brighter flag flies atop the Shjip, as melodies step out into the forefront, washing away much of the sledge-y murk that cloud their previous recordings.

(originally published in Relix Magazine)

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Night Beats – Sonic Bloom

Recorded in a Tacoma, WA warehouse, Sonic Bloom album perfectly captures the Beats at their drugged-fueled, raved-up best.

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Ty Segall Sleeper

California’s garage rock son turns in his electric and fuzz pedals for a simple acoustic on the emotionally-charged, introspective Sleeper LP. Recorded following the loss of his father, Sleeper showcases the unadulterated beauty of Segall’s knack for melodious songwriting.

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Kevin Morby – Harlem River

Harlem River is the debut solo album from Woods bassist/Babies guitarist Kevin Morby. Aided by a stellar cast of backing musicians, along with the help of Rob Barbato’s (Darker My Love) impressive production work, Morby delivers an intimate collection of songs that touch on the loneliness, addiction and hardships of a touring musician. Having joined Woods before he was legally allowed to drink in bars, Morby’s tale rings with the wisdom and experience of a man who’s spent the better part of his life on the road.

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Fuzz – S/T

For the past several years, Ty Segall has largely existed as a solo artist. But with Fuzz, his latest project formed together with high school friend and Ty Segall Band guitarist Charles Moothart, it seems the lone wolf has finally found a pack in which to roam. Heavy psych of the highest order.

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Steve Gunn & Mike Gangloff – “Worry Past Worry”

gunngang_slide_bigSteve Gunn, having already secured a pair of spots on our year’s best of list with his Golden Gunn LP and the solo effort Time Off, makes a run at a hat trick with a third release this year recorded together with Pelt‘s Mike Gangloff. The album was recorded in the spring months of this year at the remote farmhouse of noted roots-music engineer Joseph Dejarnette (Carolina Chocolate Drops, Bruce Greene, Curtis Eller). There, in the tiny community of Topeka set in the countryside of Floyd County, Virginia, Gunn and Gangloff spent an entire night improvising with six-and 12-string guitars, a banjo, along with traditional Indian instruments like gongs, tanpura, singing bowls, and a shruti box. The result was an intense night of improvisation captured on the forthcoming release Melodies for a Savage Fix. You can hear one of the tracks, titled “Worry Past Worry,” below.

Purchase Melodies for a Savage Fix on regular or red vinyl from the good folks at Important Records.