Popol Vuh seems to be like the Skull & Bones of the krautrock world—once you’ve succeeded in passing a series of entry level tests, you are suddenly granted access to this magical well of musical greatness. Their name, taken from the Popol Vuh (a manuscript containing the mythology of the Post-Classic Quiché Maya people of highland Guatemala and south east Mexico) coincidentially translates to “meeting place.” Understandably, as a measure of protecting this divine secret, Popol Vuh is one of those bands you really don’t hear much about. But bring up their name to an individual who is properly enlightened and it will elicit a response similar to a holy man hearing the lord’s true name. Formed in ’69, the group released albums up until the early aughts touching on all sorts of genres from space rock to world to electronic avant-garde. In 1976, they released their most rock-aligned album, Letzte Tage – Letzte Nächte, which presents a cosmic journey from start to finish highlighted by Daniel Fischlescher’s soaring lead guitar. Discovering this band and this album was like a lifelong search coming to an end. I hope to offer the same experience to some of you.
The following songs come from Popol Vuh’s 1976 album Letzte Tage – Letzte Nächte.